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Finally 20th June 1988 arrived, and I got my first trip to
London via Dubai. Hooray! I’d been champing at the bit for this trip.
And what was so special about this trip,
dear reader? Actually this: With SAUDIA I had previously flown to London merely
as a passenger or deadhead. Never had I
been allowed to pilot a flight into London Heathrow Airport.
Frankly, dear reader, I’m not flying this
jumbo jet for the glamor, glory or money.
I’m up here for the sightseeing!
And as I engaged in this pleasurable
activity, I surprisingly stumbled across a location that smacked me right
between the eyes!
During my senior year in high school, 1960, I caught a black & white movie entitled “Our Man in Havana,” based on a novel by Graham Greene.
It starred Alec Guinness, who played a failed, British, vacuum cleaner salesman in Havana, Cuba (of all places), in 1959 on the cusp of Castro’s revolution. He’s recruited as a spy for the British, and hasn’t a clue how to accomplish this. So he makes up fictional agents and illustrates Cuban atomic power plants (modeled after vacuum cleaners); which in reality British Intelligence buys. In the end it all comes unraveled and he’s recalled to London for censorship; possibly even a serious prison sentence.
Well I’ll be gob smacked, dear reader, if
that very same view of Tower Bridge, and the Tower of London, didn’t present
itself outside my right side window! Not
in black & white, but in ever-living Technicolor. It took me 28 years to see this particular site
in person; by God it was worth the wait!
SIA put us up at the Gloucester Hotel, on Harrington
Gardens in Kensington, near the Gloucester Tube Station; allowing me to zip up
to Piccadilly Circus or Leicester Square on the “Tube.” This gave me access to the West End theater
district with its amazing drama/comedy stage shows and musicals; not to mention
me favorite pubs and book stores.
Laying-over in London was like hooking up with an old friend. Speaking of which, I also renewed my acquaintance with some of the dancers from Madrid, who were dancing in a musical stage production entitled “Ziegfeld,” starring Topol playing the role of Florence Ziegfeld.
Attached to invisible wires, the dancers would lift off the stage and fly out above the audience; taking us spectacularly by surprise.
After the show the dancers would escort me to the London hot spots, and we’d boogey until dawn.
If
San Francisco was the cherry on my cupcake; London was the frosting.
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