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The 1950's and early ‘60's were good to my father. He started his own company –
MAC Drilling –
and became a speculator and promoter selling interests
in oil leases.
You are no doubt familiar with the successful TV series “Beverly Hills,
90210 ,”
dear reader; the
teenaged-angst soap opera at the fictitious “West
Beverly Hills
High
School.”
Only, did you know at the real Beverly Hills High School
there’s a
soundproofed,
all electric oil well on that property?
Originally it was a drab grey – but some kids in
a cancer ward dressed it up.
It was newly
developed and
drilled by my father in 1956, and through the
method
of
“whip-stock” (slant-drilling) it continues to produce oil to this very
day. Except,
due to the murky lawsuits that followed, we wouldn’t see one penny of the
royalties.
Still, not bad for
a guy with only an 8th
grade
education; all thanks to the Great
Depression.
In order to procure suckers
(oops...I mean investors) who would purchase
interests in these oil
leases Dad had obtained to drill; what better
place to
locate
such “gamblers” than in Las Vegas.
By this time I’m in my late teens – my parents have
separated -
and I’m living with
Mom and Grandma in a rented bungalow in the San Fernando
Valley, California.
Pop, on the other hand, has an apartment in Hollywood and
a house in
Palm
Springs he shares with his girlfriend.
The good life in the States has evolved us
into
a typical, mid-life crisis, fragmented American family.
You have to also appreciate, dear reader, that by
this
period I had been raised on
stories of India and Burma; along with Mom whipping up “curry-feeds” of Indian
and
Burmese
delights on special occasions - using Tony the cook’s old
recipes. Additionally, I’d occasionally
rummage through the battered teak trunk that
had
survived the
trip home – ornately carved with battling elephants – and
reacquaint myself with
treasures from India, Tibet, China and Burma; including Tulah-
Rhum’s Gurkha Kukri. Little realizing that a desire for Asia was
seeping into
my
blood. While handling these items,
often I’d wonder what our lives might have been
like had my parents remained in India – no doubt we’d still be
together as a
family.
But I have digressed, dear reader,
please forgive me.
Upon occasion, during the spring of ‘62, Dad would
call me up at
night, on a
moment’s notice, and tell me to get the company plane rolled out. He was short on
cash for the payrolls that week;
requiring an expedition to Vegas to “prospect” for
investors.
Previously, Father had learned to fly in 1954, and had leased Cessna 170s and
180s for
his business. I had soloed in my dad’s 180, on my 19th
birthday, in
1961.
Afterward, in 1962, Dad had acquired
a war surplus
C-45 Beechcraft, which he
kept at the Van Nuys Airport in
California. It
had of late been refurbished, could hold
eight people, and its twin Pratt &
Whitney
radial engines
could take it up to 26,000
feet and cruise at 160 mph. The “Twin-Beech” flew
similar to a
miniature DC-3 and,
when I wasn’t rough-necking on one of my dad’s rigs, I’d be found washing and
waxing the
company plane; getting it ready for its next flight. I also acted as co-pilot
for
my pop on these trips.
So here I am - age 19 - at the Van Nuys Airport,
barely after
9:P.M., running a
pre-flight on the Twin-Beech with a flashlight: removing wheel chocks, gear pins
and
tie-downs;
checking fuel and oil quantities; exploring its flawless surfaces for
damage; removing and stowing the oil drip
pans that prevent engine oil from
dripping onto the main wheels;
then finishing
up by pulling the propellers through a
couple of
turns, to “limber up” the oil in the cylinders for starting.
Earlier, I had checked the weather and filed a VFR flight plan by
telephone.
Upon entering the cockpit, I lay
out the charts and set up the radio frequencies.
After this I fire up both engines. When
their temperatures and
pressures
check out, I
shut them down; listening to the heated metal tick away as it cools, while
I wait in
the darkened cockpit for my father. Everything is ready for
flight.
Eventually his ’62 Cadillac, pulls up off the left wingtip. He’s alone and quickly
joins me in
the cockpit.
We depart Van Nuys; heading out
over the California Desert.
Because it’s night, and clear as a bell, the cool sea
of air we
penetrate gives us a
ride as smooth as glass.
We climb to 9,500 feet. After an
hour and fifteen minutes, we become aware of an
incredible glow, emanating
from the other side of the Spring Mountains in the
Nevada Desert. It always reminds me of that
elusive “pot
of gold” at the end of the
rainbow.
Upon clearing the mountain range a fistful of brilliantly lighted jewels – dumped
on the desert floor – comes into view. Las Vegas wasn’t that big in 1962;
appearing
from the air more as a large village than a city.
To the south, well outside this cluster of lights,
we pick up the
green and white
rotating beacon at McCarran Field. Far from being the great international
airport of
today, it was a sleepy little field with a control tower and a solitary, crappy motel
servicing
transient
parking. Although, on the plus side, it
was hassle-free; allowing
one to get their private sport or
business
aircraft in and out quickly. There being
no
locked, chainlink fences topped with barbed wire, and not much in
the way of
security.
Ah yes, dear reader, the good old days when life was
a bit
simpler and safer.
Originally
this airfield had been founded by a descendant of the frontiersman Davy
Crockett, and
was called the “Alamo Airport” in 1942. Later in ‘48 it was renamed
after a Nevada Senator.
By 11:30 P.M. we’d usually roll into the Sands Hotel; Dad heading for one of the
back
“high roller’s” rooms to track down “investors,” while I camp out in the
lounge
and
“stand by.” My father wore a suit and
tie, whilst I
had a sports coat, tie and
slacks. This was the required uniform for our modest
expedition, since at this point
in history Vegas continued to have class. Nobody wore jeans – unlike today –
especially if
you wanted to be taken seriously.
For the past ten years Pop had made the Sands Hotel
his HQ when
visiting Vegas,
and had gotten to know the owners, entertainers and movie people that
frequented
the Sands.
Originally
the Sands was the vision of Jakie Freedman – here he is (in white suit) losing
$10,000 at the Sahara. Jake was a good pal of my dad’s.
In point of fact, dear reader, should you ever watch
that
classic film “Meet Me In
Las Vegas,” circa 1956, keep your eyes peeled for a scene between Dan Daily and
Oskar Karlweis
(the blackjack dealer in the movie).
Why? Because that scene was
shot
in the Sands
Casino around 3:A.M., when my
father just happened to be at a craps table.
Directly between, and
behind, Mr. Daily
and Mr. Karlweis, you’ll note a robust man in a brown suit,
with his back to the
camera, rolling dice in the background. That’s my old man losing my college
fund.
Louis Prima and Keely Smith, backed up by Sam Butera
and The
Witnesses,
finish their act in the lounge (the lounge acts in this era were phenomenal) and I
decide to
off-load some
of the ginger ale I’ve been knocking back. No alcohol for me
– somebody has to
be sober for
the flight
back.
Upon entering the men’s room, I head for an amazing urinal that extends across
one
entire wall. Stepping up to the ultra-long trough,
that extends
from my chest
to
the floor, I pull out my jettison device and begin to “off-load.” As usual I spot the
admonition, in
expensive
Italian tiles, which stretches across the wall above the
urinal: “Stand Closer
- It’s Shorter Than You
Think.” Being very true in my case, I
move in a bit
and chuckle.
Coming out of the men’s room, I literally bump into
Frank Sinatra,
Sammy Davis Jr. and Dean Martin, which reminds me the “Rat Pack” is in town this
week and billed at the Copa Room.
(Oops...I should have said “The Summit” –
Sinatra hated
the press’s term: “Rat Pack.”)
I
also spot
Shirley MacLaine on Frank’s arm; she’s an honorary member.
“Ring-a-ding-ding,” dear reader.
Sinatra performing at the Copa Room in the ‘50s – he was also a part owner of the Sands.
Sinatra performing at the Copa Room in the ‘50s – he was also a part owner of the Sands.
one of the Sands’ fine restaurants, while a wandering string quartet serenades us;
playing our favorites. Pop’s all smiles – he’s holding several fat checks from new
investors – the payrolls will be met this week.
Life with my father, dear reader, was always one big
crap-shoot. We lived the
American dream – always on credit – stalling the creditors as long as possible.
American dream – always on credit – stalling the creditors as long as possible.
Buzzing Lake Mead on our way out of Vegas.
By 6:40 A.M. we’re back in the air as the sun begins
to rise. The desert is
breathtaking at this time of the morning.
breathtaking at this time of the morning.
We touch down at Van Nuys a little after
8:A.M.
This was the usual drill during this period of my life,
dear
reader, and, thanks to
my dad, I count myself damned fortunate to have experienced it. For this
particular, glamorous, chapter of Las Vegas history no longer exists. Now it’s
plastic Disneyland, with crappy lounge acts, and fields upon fields of slots. Until
you’ve experienced the electricity of a beautiful, petite Jane Powell belting out a
song in the Copa Room, backed by a “live” 50-piece orchestra – you’ll have
absolutely no idea what I’m talking about.
my dad, I count myself damned fortunate to have experienced it. For this
particular, glamorous, chapter of Las Vegas history no longer exists. Now it’s
plastic Disneyland, with crappy lounge acts, and fields upon fields of slots. Until
you’ve experienced the electricity of a beautiful, petite Jane Powell belting out a
song in the Copa Room, backed by a “live” 50-piece orchestra – you’ll have
absolutely no idea what I’m talking about.
Petite Jane Powell backstage with
Liberace.
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